The muted hues in these pressed samples not only complement one another, they also inspired the palette of the sitting room’s furnishings.
Above right: Specimens are carefully dissected with a scalpel, then painstakingly put back together on a canvas.
Text Karen Callaway
Photography Marcy Black Simpson
To read more about Anne Blackwell Thompson, see “Preserving the Artistry of Nature” on page 47 of the March/April 2016 issue of Victoria.